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c. 1445 – May 17, 1510. Italian painter.

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PLEYDENWURFF, Hans
Crucifixion of the Hof Altarpiece

ID: 40221

PLEYDENWURFF, Hans Crucifixion of the Hof Altarpiece
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PLEYDENWURFF, Hans Crucifixion of the Hof Altarpiece


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PLEYDENWURFF, Hans

German Northern Renaissance Painter, 1420-1472  Related Paintings of PLEYDENWURFF, Hans :. | An Eye to an Expected Buyer | mr.and mrs.andrews | Portrait of Charles de Bourbon | Sketch for the Excursion of the Harem | Sheep 191 |
Related Artists:
Charles Codman
(circa 1800-1842) was a landscape painter of Portland, Maine. His art is featured at the Portland Museum of Art as mature, fine early American landscape painting. Codman was probably from Boston and was apprenticed to the ornamental painter, John Ritto Penniman. Codman began as a decorative painter and had no formal training but eventually produced mature works of romance and beauty. One of his more important commissions was to design and paint five fireboards (decorative panels placed over hearths during the summertime) in the landscape style, for the Portland mansion of shipbuilder James Deering. He also filled commissions for both portraiture and decorative arts.
Giovanni Battista Gaulli Called Baccicio
Genoa 1639-Rome 1709
John Shackleton
was a British painter and draughtsman who produced history paintings and portraits. His parents and origins are unknown. Shackleton painted several surviving portraits, for example of Henry Pelham (National Portrait Gallery), William Windham (1717 - 1761; now at Felbrigg Hall, Norfolk), and of John Bristowe, steward to the first duke of Newcastle (now in the Reitlinger Museum of Fine Art, Maidenhead). From 1749 he was Principal Painter in Ordinary to George II and George III. He continued to be paid for portraits of the king and queen up even during 1765 - 6, when their official portraits were being done by Allan Ramsay. Several examples of his and his studio's output of royal portraits survive - one of George II dated 1755 is in the Scottish National Portrait Gallery, Edinburgh; another of George II in Room 2 of the British Museum, London (commissioned by the museum in 1759 - the Museum also holds engravings after his paintings), along with two more of George II in the Royal Collection and others in Fishmongers' Hall, London, and Maidenhead Museum.






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